CYLINDRICAL LOCK KL CLASSIC SS 5805 (L2857)
DOOR CLOSER CERUS UNIVERSAL 5285 (80Kg) (L2743)
DOOR CLOSER 1938 (L2741)
DOOR CLOSER C 071 (L2740)
DOOR CLOSER HERCULES (L2742)
HANDLE ANOUSHKA PULL BRASS 9135 (L2747)
HANDLE ANOUSHKA PULL SATIN 9136 ANTQ (L2748)
LOCK X.L.VERTI 1CK ANTQ 4290-6195 (L2681)
MORTICE LOCK N.E.H.07 2C 240MM (6754) (YL4885)
MORTICE LOCK 4L 9161 LEGEND 28 (L2510)
MORTICE LOCK 6L E.L.C. 09 ANTQ KEY (L2601)
MORTICE LOCK 6L E.L.C. 09 SS KEY (6325) (L2600)
MORTICE LOCK 6L E.L.C. 10 SS KEY (6329) (L2604)
MORTICE LOCK 6L GLORIA ANTQ 4898 KY (L2535)
MORTICE LOCK 6L DECOR 7296 35 (L2504)
MORTICE LOCK 6L DIANA SS 8170 (L2515)
MORTICE LOCK 6L E.L.C. 10 ANTQ KEY (6330) (L2605)
MORTICE LOCK 6L STELLA ANTQ 4759 (L2517)
MORTICE LOCK 6L STELLA SS 8171 (L2516)
MORTICE LOCK 6LVENUS 7297 BRASS (L2502)
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.