MORTICE LOCK 10 INCH CY ANTQ LMS – 5056 (L1107)
MORTICE LOCK A22 PC (L1001)
MORTICE LOCK A22 PC (L1001A)
MORTICE LOCK ANTQ CY 8 INCH ZS 2013 (L1337)
MORTICE LOCK ANTQ CY 8 INCH ZS 2008 (L1333)
MORTICE LOCK ANTQ KY 2033 / 2034 (L1238)
MORTICE LOCK ANTQ KY 8 INCH ZS 2013 (L1335)
MORTICE LOCK ANTQ KY ZS 2116 (L1261)
MORTICE LOCK ANTQ KY ZS 2122 (L1263)
MORTICE LOCK CP DD 102 (L1030)
MORTICE LOCK CP 102 (L1065)
MORTICE LOCK CP A 1 (L1052)
MORTICE LOCK CP A11 (L1046)
MORTICE LOCK CP A22 (L1002)
MORTICE LOCK CP SL 05 (L1075)
MORTICE LOCK CY FREEDOM SG10 (L1098)
MORTICE LOCK CY ZS 2091 SS / ANTQ (L1252)
MORTICE LOCK FREEDOM SG 8 INCH (L1097)
MORTICE LOCK JAZ 8 INCH SS SLIM (L1360)
MORTICE LOCK KY ANTQ L213 (L1102)
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.