MORTICE LOCK AL 502 KY SILVER ANTQ (L1409)
MORTICE LOCK SH 326 KY BLACK / GOLD (L1406)
MORTICE LOCK AL 502 KY SILVER MAT (L1408)
MORTICE LOCK AVIS SH 321 CY ANTQ (L1323)
MORTICE LOCK AVIS SH 321 CY SS (L1324)
MORTICE LOCK AVS SH 323 CY ROSE / GOLD (L1326)
MORTICE LOCK BH 44 ANTQ 13 INCH – BULLET (L1400)
MORTICE LOCK CNC – 01 – SS ANTQ (L1403)
MORTICE LOCK IH 402 ANTQ (L1327)
MORTICE LOCK IH 419 ANTQ (L1328)
MORTICE LOCK IH 476 ANTQ KEY (L1329)
MORTICE LOCK MINI ANTQ 084 – CY (L1411A)
MORTICE LOCK MINI SG 084 – CY (L1411)
MORTICE LOCK RAY SH 321 KY ANTQ (L1321)
MORTICE LOCK RAY SH 321 KY SS (L1322)
MORTICE LOCK RAY SH 323 KY ROSE / GOLD (L1325)
MORTICE LOCK SH 352 SS (L1407)
MORTICE ONLY HANDLE SG 061 – KY (L1422)
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.