QUADRA 2FEET SOLID TOWEL ROD (YW2026)
QUADRA H/F ROUND SS 304 T/RING (YW3025)
QUBIX DOUBLE GLASS SHELF (YP6014)
QUBIX TRIPLE GLASS SHELF (YP6017)
RACK BOLT RBMS-702 10MM SS (YS0076)
RANGOLI ACRYLIC CORNER 10X10 (YG3024)
RANGOLI ACRYLIC CORNER 12X12 (YG3023)
REGAL SOAP DISH GOLD/SILVER (YF3046)
RIO ACRYLIC CORNER 10X10 (YG3261)
RIO ACRYLIC CORNER 12X12 (YG3256)
RIO ACRYLIC CORNER 12X12 SMOKE (YG3256)
RIO ACRYLIC CORNER 8X8 (YG3251)
RIO SHAMPOO RACK 12X6 (YG3241)
RIO SHAMPOO RACK 18X6 CLEAR (YG3246)
RIO SHAMPOO RACK 18X6 SMOKE (YG3246)
ROBE HOOK – 4 (YP1502)
ROBE HOOK – 5 (YP1503)
ROBE HOOK LUX 27 2 PIN WHITE (YN2036)
ROBE HOOK LUX 28 5 PIN WHITE (YN2037)
ROBE HOOK LUX 29 2 PIN WHITE (YN2038)
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.