MORTICE LOCK SH 326 KY BLACK / GOLD (L1406)
MORTICE LOCK SS ANTQ 343 (L3080)
MORTICE LOCK SS ANTQ 346 (L3085)
MORTICE LOCK SS KY ZS 2052 (L1253)
MORTICE LOCK SS KY ZS 2116 (L1260)
MORTICE LOCK SS KY ZS 2122 (L1262)
MORTICE LOCK W – 8 ANTQ / SS (L1941)
MORTICE LOCK 10 INCH ANTQ 378 (B5952)
MORTICE LOCK 10 INCH ANTQ 379 (19) (B5960A)
MORTICE LOCK 10 INCH ANTQ 863 (4) (B5962)
MORTICE LOCK 10 INCH CY ANTQ LMS – 5051 (L1105)
MORTICE LOCK 10 INCH CY ANTQ LMS – 5053 (L1106)
MORTICE LOCK 10 INCH CY ANTQ LMS – 5056 (L1107)
MORTICE LOCK 10 INCH CY VINTAGE – M.S. (L1946)
MORTICE LOCK 10 INCH SG 379 (8) (B5960)
MORTICE LOCK 10 INCH SG 863 (40) (B5961)
MORTICE LOCK 10 INCH SG 864 (6) (B5963)
MORTICE LOCK 10 INCH SS ANTQ CRYSTA (L1650)
MORTICE LOCK 11 INCH SG NO:829 (L3481)
MORTICE LOCK 11 INCH 038 F/GOLD (32) (L1615)
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.