SLIDING LOCK ASL 22 SSS (YAG1509)
SLIDING LOCK ASL 311 B SSS(YAG1502)
SLIDING LOCK ASL 311 SSS(YAG1501)
SLIDING LOCK ASL 314 B SSS(YAG1506)
SLIDING LOCK ASL 314 SSS(YAG1505)
SLIDING LOCK ASL 50 SS 50MM (YA4717)
Sliding Roller Set ASDR 101-3S PSS (YAG1722)
Sliding Roller Set ASDR 103-3S SSS (YAG1723)
SLIDING TRACK ASTR 151 SINGLE DOOR (YAG1725)
SLIDING TRACK CWFT-15 TOP & BOTTOM 12 FEET (YC1827)
SLIDING TRACK CWFT-15 TOP & BOTTOM 8 FEET (YC1845)
SLIDING TRACK CWFT-770 WARDROBE (2 MTR) (YC1990)
SLINDIG TRACK CWFT-03 8 FEET (YC1853)
SLINDIG TRACK CWFT-08 3MTR YC20112)
SLINDIG TRACK CWFT-14 TOP & BOTTOM 12 FEET (YC1608)
SLINDIG TRACK CWFT-14 TOP & BOTTOM 8 FEET (YC1606)
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.