KHUTI HOOK 4PIN HEAVY (CP) (YD4044)
KHUTI HOOK 5PIN HEAVY (CP) (YD4045)
KHUTI HOOK 6PIN HEAVY (CP) (YD4046)
OLAY BRASS LIQUID SOAP DISPENCER CP/BLACK (YD2516)
OLAY BRASS SOAP DISH CP (YD2509)
OLAY COMBO SOAP DISH & TUMBLER (CP) (YD2515)
OLAY DUAL BRASS SOAP DISH CP (YD2514)
OLAY GLASS LIQUID SOAP DISPENSER CP/BLACK (YD2508)
OLAY GLASS SOAP DISH(CP) (YD2502)
OLAY NAPKIN RING CP (YD2504)
OLAY PAPER HOLDER WITH LID CP (YD2507)
OLAY ROBE HOOK DOUBLE CP (YD2505)
OLAY TOWEL BAR 24 INCH (YD2501)
OLAY TOWEL RACK 24 INCH CP (YD2510)
OLAY TUMBLER HOLDER CP (YD2503)
PICASSO BRASS SOAP DISH (YD2647)
PICASSO DUAL BRASS SOAP DISH (YD2652)
PICASSO GLASS SOAP DISH (YD2640)
PICASSO LIQUID SOAP DISPENSER (YD2646)
PICASSO NAPKIN RING CP (YD2642)
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.