ELVIS ANGEL 3IN 1 WALL MIXER (TMP12496)
ELVIS FORMA 2 WAY BIB COCK (TMP11818)
ELVIS FORMA BIB COCK (TMP11361)
ELVIS NEWLINE ANGLE COCK (TMP11373)
EUROMIX 2 IN 1 WALL MIXER (TMP13167)
EUROMIX 2WAY BIB COCK (YE5080)
EUROMIX 3 IN 1 WALL MIXER (TMP13168)
EUROMIX ANGEL COCK (YE5081)
EUROMIX BIB COCK (YE5079)
EUROMIX PILLAR COCK (YE5077)
EUROMIX SINK COCK (YE5083)
FORMA 2 IN 1 WALLMIXER (TMP11364)
FORMA 3IN1 WALL MIXER (TMP11826)
FORMA ANGLE COCK (TMP11363)
FORMA LONG BODY (TMP11362)
FORMA PILLAR COCK (TMP11358)
FORMA SINK COCK (TMP11398)
FORMA SWAN NECK PILLAR COCK (YE5056)
FORMA TALLBODY PILLAR COCK lONG SPOUT 4027 (YE1004)
HAND SHOWER ALD 115 MULTI FLOW (YE5133)
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.