MORTICE LOCK KY ANTQ L213 (L1102)
MORTICE LOCK KY SS L213 (L1101)
MORTICE LOCK KY ZS 2091 SS / ANTQ (L1251)
MORTICE LOCK L-31 SILVER 8 INCH (L1043)
MORTICE LOCK P COAT A 33 (L1012)
MORTICE LOCK PC DD 102 (L1020)
MORTICE LOCK PC 102 (L1060)
MORTICE LOCK PC A 99 (L1006)
MORTICE LOCK PC A1 (L1050)
MORTICE LOCK PC A11 (L1045)
MORTICE LOCK PC A22 (L1001)
MORTICE LOCK PC SL 05 (L1070)
MORTICE LOCK ROLEX ANTQ DT 3KY (L1365)
MORTICE LOCK SG NEPOLIAN (L1099)
MORTICE LOCK SG KY 2033 / 2034 (L1236)
MORTICE LOCK SG KY 2036 (L1237)
MORTICE LOCK SILVER A 007 (L1004)
MORTICE LOCK SILVER A 99 (L1008)
MORTICE LOCK SILVER A 22 (L1003)
MORTICE LOCK SILVER A33SHTR (L1354)
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.