CORNER SHELF LUX 20 12X12 WHITE (YN2032)
CORNER SHELF NC-32300DP (W) STRONG BOX (YP6021)
CORNER SHELF REGULAR BC 001 BRS (CP) (YD4004)
CORNER WOODEN B-1008 10X10 BLACK (YE2843)
CRYSTAL SOAP DISPENSER A6068TP (YF3065)
CUTLERY HOLDER (YF3013)
CUTLERY HOLDER GOLD/SILVER (TMP12584)
DAISY BRASS SOAP DISH (YD4178)
DAISY LIQUID SOAP DISPENSER (YD4176)
DAISY NAPKIN RING CP (YD4172)
DAISY PAPAER HOLDER WITH LID CP (YD4173)
DAISY ROBE HOOK CP (YD4177)
DAISY TOWEL RACK 24 INCH CP (YD4101)
DAISY TOWEL ROD 12 INCH CP (YD4179)
DAISY TOWEL ROD 18 INCH CP (YD4174)
DAISY TOWER ROD 24 INCH CP (YD4169)
DAISY TUMBLER HOLDER CP (YD4171)
DESIGNER GLASS CORNER 10X10 (TMP12015)
DESIGNER GLASS CORNER 12X12 (TMP12283)
DESIGNER GLASS CORNER 8X8 (TMP12284)
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.