DOOR STOPPER BRASS ANTQ 6 INCH (D1130)
DOOR STOPPER BRASS ANTQ DS-07 (D1127)
DOOR STOPPER BRASS ANTQ DS-08 (D1126)
DOOR STOPPER BRASS BULLET SG (D1133)
DOOR STOPPER BRASS BULLET SG (D1136)
DOOR STOPPER BRASS KING SG (D1133)
DOOR STOPPER BRASS SG 6 INCH (D1131)
DOOR STOPPER BULLET BRASS ANTQ (D1136)
DOOR STOPPER BULLET BRASS SS (D1136)
DOOR STOPPER KING BRASS ANTQ (D1136)
DOOR STOPPER KING BRASS SG (D1136)
DOOR STOPPER KING BRASS SS (D1136)
DOOR STOPPER LIZA ANTQ (D1182)
DOOR STOPPER LIZA MG 364 (D1181)
DOOR STOPPER LIZA SG 364 (D1181)
DOOR STOPPER LIZA SS (D1182)
DOOR STOPPER SPY MG (6 – 306) (D1185)
DOOR STOPPER SPY SG (6 – 306) (D1185)
DOOR STOPPER T-MODEL SG, MG (D1135)
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.