JADE SWAN NECK PILLER COCK (YP1050)
KITCHEN MIXER PULL DOWN CP-6369 (YE5135)
KUP 35053 PM ANGLE COCK (YJ2101)
KUP- 35021 PM TALL BODY PILLAR COCK (YJ2098)
KUP- 35037 PM BIB COCK WITH WALL FLANGE (YJ2099)
LIFT COCK (B6970)
LONG BODY (TMP12603)
LONG BODY 15MM (B6830)
LONG BODY APR-101107 (YE3103)
LONG BODY BIB COCK COS-103107 (YE3115)
LONG BODY BIB COCK CP 15MM (YM4003)
MINI ANGLE COCK 15MM (B6842A)
NEWLINE 2 WAY ANGLE COCK (TMP12780)
NEWLINE 2 WAY BIB COCK (TMP11993)
NEWLINE BIB COCK (TMP11371)
NEWLINE GARDEN BIB COCK (TMP12182)
NEWLINE LONG BODY B/COCK (TMP11372)
NEWLINE PILLAR COCK (TMP11370)
NEWLINE SINK COCK (TMP11376)
NEWLINE SWAN NECK PILLAR COCK (TMP12256)
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.