SURFACE LIGHT HS 006 10W (YH1064)
TRACK 1MM (YPD1327)
TUBE LIGHT 919415920162 25W (YPD1247)
TUBE LIGHT 919515813927 10W (YPD1098)
TUBE LIGHT 919515813930 5W (YPD1097)
TUBE LIGHT 919615898411 20W CDL (YPD1121)
TUBE LIGHT 919615898494 10W CDL (YPD1244)
TUBE LIGHT 919615899084 22W (YPD1099)
TUBE LIGHT ATLAS 25WATT (YG10377)
TUBE LIGHT PBTM01107 10W (YPD1072)
TUBE LIGHT PBTM02057 5W (YPD1074)
TUBE LIGHT PBTM02207 20W (YPD1071)
TUBE LIGHT PBTM24107 10W (YPD1372)
TUBE LIGHT STRATO 20W LED (YG8846)
WALL LAMP C69 (YK4021)
WALL LAMP 1021//2 (YK4032)
WALL LAMP 1124 (YK4041)
WALL LAMP 1132 (YK4039)
WALL LAMP 1973 (YK4040)
WALL LAMP 206 A (YK4023)
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.