MORTICE LOCK RAY SH 323 KY ROSE / GOLD (L1325)
MORTICE LOCK ROLEX ANTQ DT 3KY (L1365)
MORTICE LOCK S-20 SS/ANT/MG (L1945)
MORTICE LOCK SG NEPOLIAN (L1099)
MORTICE LOCK SG 103 KEY (L1468)
MORTICE LOCK SG 103 MINI (L1469)
MORTICE LOCK SG KY 2033 / 2034 (L1236)
MORTICE LOCK SG KY 2036 (L1237)
MORTICE LOCK SH 352 SS (L1407)
MORTICE LOCK SILL RW – 410 (L1432)
MORTICE LOCK SILL TW – 410 (L1431)
MORTICE LOCK SILVER A 007 (L1004)
MORTICE LOCK SILVER A 99 (L1008)
MORTICE LOCK SILVER A 22 (L1003)
MORTICE LOCK SILVER A33SHTR (L1354)
MORTICE LOCK SS 10 INCH ANTQ – 1084 LEGEND (L1998)
MORTICE LOCK SS 10 INCH ANTQ – 1201 (L1996)
MORTICE LOCK SS 10 INCH ANTQ – 1336 (L1997)
MORTICE LOCK SS 304 CRYSTA (L1089)
MORTICE LOCK SS 8888 (L1090)
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.