PULLOUT 15X16X4 CUP &SAUCER (YS5009)
PUSH OPEN TELESCOPIC 3215 ZINC 12 INCH (TMP11975)
PUSH OPEN TELESCOPIC 3215 ZINC 14 INCH (TMP11976)
PUSH OPEN TELESCOPIC 3215 ZINC 20 INCH (TMP11979)
QUARTZ UNBREAKABLE 24X18 SINK BLACK (YS0043)
RIO SINK COCK CP (YS0031)
ROD 2 FEET (YS5145)
ROD 3 FEET (YS5146)
ROD 4 FEET (YS5147)
SINGLE BASKET 20X4 (YS5215)
SINGLE BASKET 20X6 (YS5216B)
SINGLE BASKET 20X8 (YS5217A)
SINGLE PULLOUT 16X6 (YS5213)
SINGLE PULLOUT 16X8 (YS5214)
SINK 115.0638.303 NOVARA PLUS FAUCET (YF6031)
SINK 115.0649.636 NOVARA PLUS SPOUT TOP ONYX/BLK (YF6015)
SINK 115.0695.383 EOS NEO SWIVEL TAP (YF6032 )
SINK 12X12 SS 304 (YB7220)
SINK 18X16 G-BID (YD5176)
SINK 24X18 ALL COLOUR (OFFER) (YF6026)
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.