CONTINENTAL TOWEL ROD 24 INCH (YE5091)
CONTINENTAL TUMBLER HOLDER (YE5094)
DESIGNER GLASS CORNER 10X10 (TMP12015)
DESIGNER GLASS CORNER 12X12 (TMP12283)
DESIGNER GLASS CORNER 8X8 (TMP12284)
DESIGNER GLASS SHELF 12X6 (TMP12547)
DESIGNER GLASS SHELF 16X6 (TMP12548)
DESIGNER GLASS SHELF 20X6 (TMP12016)
ECO SMART 2 IN 1 WALL MIXER 67333 (YE5025)
ECO SMART 2 WAY BIB COCK 67089 (YE5022)
ECO SMART 3 IN 1 WALL MIXER 67445 (YE5026)
ECO SMART BIB COCK 67049 (YE5020)
ECO SMART LONG BODY BIB COCK 67058 (YE5021)
ECO SMART PILLER COCK 67011 (YE5019)
ECO SMART SINK COCK 67522 (YE5028)
ECO SMART SWAN NECK 67793 (YE5029)
ECO SMART WASHING MACHINE TAP 67840 (YE5125)
ELVIS ACCURA 2WAY BIB COCK (YE5070)
ELVIS ACCURA SINK COCK (YE5075)
ELVIS ACCURA SWAN NECK PILLER COCK (YE5076)
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.